
Wednesday, May 6, 2026
That Catskill Summer by Bart A. Charlo

Tuesday, May 5, 2026
Rescued by the Rakish Lord by Sarah Mallory
A man of such dubious reputation…
that he was called Devil Blackbourne!
When Lord Deveril Blackbourne meets Selina Wynter, he is intrigued. For she has all the accomplishments of a lady, but the fiery temper and spirit of a tavern maid! Then she is abducted by a dastardly suitor, and Deveril—for all his roguish reputation— can’t stand idly by…
Lord Deveril is Selina’s least likely rescuer, but when they’re stranded together in a snowstorm and her reputation is at risk, he surprises her with a gallant proposal! Deveril’s no honourable suitor, yet his actions say otherwise…
Just who is the real Devil Blackbourne? Selina’s determined to find out!
A Five Star Read
I really enjoyed this story. The characters are fresh and brilliantly executed.
It’s just such a satisfying romance to read. I loved the dynamic between Selina and Deveril—he has that classic rakish reputation, but there’s clearly more to him, which makes him really appealing as a hero.
Selina is just as strong in her own way, and I liked that she could hold her own. Their relationship has that nice balance of tension and warmth, and it’s easy to get invested in them.
It has all the elements you want from this kind of book, but it never feels overdone—just a really enjoyable, well-written romance you can sink into.
*engaging, likeable characters
* strong romantic chemistry
*classic feel without being too heavy
Sarah Mallory
Monday, May 4, 2026
Review of Infidel: The Daughters of Aragon (Six Tudor Queens) by Nicola Harris
(Six Tudor Queens)
By Nicola Harris
A Five Star Read
Most people who know anything about the Tudors will have heard of Catherine of Aragon, and I went into this expecting to learn more about her early years. What I wasn’t expecting—at all—was Joanna of Castile. I’ll happily admit I’d never even heard of her before, which now feels like a glaring gap considering how much she adds to the story.
What really makes this work is how it centres Juana in a way that feels both intimate and unsettling. She isn’t written to be conveniently likeable or easy to understand; instead, she reacts honestly to what’s happening around her, and that honesty puts her at odds with the world she’s been born into. In a court where silence and obedience are expected, her instinct to question things feels quietly rebellious, even when she doesn’t intend it to be.
There’s an early scene where the children are made to watch an execution, and it completely sets the tone. While everyone else remains composed, Juana can’t hide her reaction, and her response—“Jesus told us to love one another. He said nothing about burning anyone alive”—cuts through all the ceremony and justification. It’s not dramatic in delivery, but it lands hard, because it voices exactly what the reader is thinking while exposing how normalised that violence has become.
That sense of unease continues in smaller moments too, like when Prince Juan of Asturias later reenacts a hanging with his slave. It’s written almost in passing, but it’s incredibly effective. It highlights how deeply these behaviours are embedded in their world, and how even the most gentle characters are shaped by it without question. It adds weight to it, and you can’t help but think how these things don’t just disappear. They carry forward. Long before Mary I of England earns her reputation, you can already see how a world like this makes that kind of thinking feel… normal.
What also comes through quite strongly is the hypocrisy at the top. You have figures like Pope Alexander VI, who is meant to represent moral authority, yet is widely known for keeping a mistress and fathering children, all while condemning others and shaping the religious direction of Europe. It adds another layer to everything Juana is questioning—this sense that the rules are rigid for some, and conveniently flexible for others.
The court itself feels convincing without being overdone. It’s grand and devout on the surface, but there’s a constant undercurrent of tension—political, religious, and personal—that never quite settles. You can feel how carefully everything is being held together, and how quickly it could shift.
What stood out most to me was how Juana’s relationships are handled. There is genuine love within the family, but it’s complicated by expectation and control, and it becomes clear how easily concern can turn into dismissal. Her emotional responses, which feel entirely reasonable to the reader, are treated as something suspect, and that slow shift in perception is where the story really begins to sting.
By the end, it doesn’t feel like a dramatic retelling so much as a quiet reframing. You’re left not just understanding Juana, but questioning the version of her history has handed down.
I went in expecting to learn more about Catherine of Aragon, but came away thinking about Juana long after I’d finished—and that, more than anything, is what made this stand out.
* Quietly unsettling moments that linger longer than you expect
*Characters shaped by power, faith, and the things they’re not allowed to question
*A story that doesn’t shout, but still manages to hit hard
My thoughts summed up in one posh sentence
A thoughtful and quietly disquieting historical novel that re-examines familiar history through a more questioning, and far more human, lens.
This book is available in the following formats:
Nicola Harris
That Catskill Summer by Bart A. Charlo
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